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Cymbolic 10:090:00/10:09
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Untitled XX 6:260:00/6:26
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On Being 9:010:00/9:01
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Moto 6:000:00/6:00
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0:00/8:16
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0:00/9:00
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0:00/16:06
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0:00/6:36
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0:00/33:08
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0:00/20:14
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0:00/5:24
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Griot Love Song 4:440:00/4:44

Solo Concert Artist
"Lomax has a knack for creating dynamic rhythmic palettes that extend the usual drummer's role of mere timekeeping..." - Down Beat
"Like Max Roach and Tony Williams, Lomax approaches his instrument like a musical instrument, something especially evident in his solos which eschew grandstanding for story-telling."- Textura
"...his shimmering cymbals and chattering drums sound as if two percussionists were collaborating." - Dayton Daily News
"A conceptualized groove of explorations of music that have been tried before but never at this high level of proficiency...Lomax plays with an innate finesse."- Bop-N-Jazz
The above comments reflect a growing consensus that Lomax is emerging as a powerful solo voice on the drum set in the tradition of Max Roach, Milford Graves, and Michael Carvin. Preferring to base his compositions and improvisations on a mixture of singable melodies and complex rhythms instead of fancy 'chops,' Lomax is proving that the drum set is still capable of telling stories once spoken by the drums of pre-colonial Africa. His performances are enchanting and intriguing as he bridges past, present, and future through the creation of a vibrant rhythmic soundscape.
"Like Max Roach and Tony Williams, Lomax approaches his instrument like a musical instrument, something especially evident in his solos which eschew grandstanding for story-telling."- Textura
"...his shimmering cymbals and chattering drums sound as if two percussionists were collaborating." - Dayton Daily News
"A conceptualized groove of explorations of music that have been tried before but never at this high level of proficiency...Lomax plays with an innate finesse."- Bop-N-Jazz
The above comments reflect a growing consensus that Lomax is emerging as a powerful solo voice on the drum set in the tradition of Max Roach, Milford Graves, and Michael Carvin. Preferring to base his compositions and improvisations on a mixture of singable melodies and complex rhythms instead of fancy 'chops,' Lomax is proving that the drum set is still capable of telling stories once spoken by the drums of pre-colonial Africa. His performances are enchanting and intriguing as he bridges past, present, and future through the creation of a vibrant rhythmic soundscape.
Lomax EPK
24.2 MB